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music

_what
logo for the london-based rock band, rex radio.
_how
a competitive bid with some other rather fine agencies snagged us this gig. our logo was chosen because it was considered closest in feel to the recently signed band's grass roots beginnings. always fond of the colours red, black and white the logo will remain with the band at least until work begins on the artwork for their first album.
_link
www.rexradio.net
_tags
rex radio logo

_what
logo for the uk company, eagger.
_how
before the business card we designed for eagger , we had to create a logo that embodied nature, organic food, the british countryside & the skewed humour of the head of eagger, max halley. this branding is set to make it's way to various areas such as signage, packaging, van decals & stationary in the near future.
_tags
logo

_what
record sleeve for the london-based rock band, officer kicks.
_how
straight out of the murderland here is our tough little cover for the first single off officer kick's forthcoming album, citywide curfew. the band's singer jamie gordon had a vision of this skeletal copper terrorizing the town depicted within the lyrics of this their latest 'concept' album.
_link
officerkicks.com
_tags
kraken single cover

_what
logo for the london-based rock band, the eyes.
_how
the eyes were extremely clear about the image they wanted to bring across. living up to their namesake they were very into 50s science fiction, the beginnings of colour television & 3d films. with this in mind they wanted a logo that whilst simple & bold, combined all of these elements. the result was something very loose, fun, rock n roll & yet something that retained a dark, cool vibe about it.
_tags
logo

_what
_how

_tags
logo

_what
artwork from business cards through to compliment slips
_how
ric yerbury contacted us upon the recommendation of the essential essence. he was in the process of launching his new events company, rage events. within the umbrella of rage events ric wanted to focus particularly on 'the rage', a series of indoor and outdoor events governed by the seasons where ric would hire major bands (think wyclef jean or the flaming lips) to play along with smaller bands throughout the evening. all in all it was a very rock 'n' roll concept & we were asked to provide suitable branding materials in the form of a logo, stationery and other bits & pieces to fit the bill.
_link
www.rageevents.co.uk
_tags
business card front
business card back
letterhead
compliment slip

_what
logo for international real estate company, tavivian group
_how
before designing the site for 'tavivian group' we had to first build a brand as well as an overall company aesthetic. the final logo is based upon the concept of the two founders being twin brothers & their enthusiasm for the real estate business. each tower resembles one of the brothers & the shadows in which they cast together create the 't' of tavivian. we felt that this was a very strong concept & one that best fit their ideal company image.
_tags
logo

_what
logo for the london-based rock band, kinkane.
_how
kinkane (formerly rex radio) wanted a new logo that captured their new sound and gave them a fresh start visually. as one of about 40 logos we did for them, this one they kept coming back to for one reason or another. it now fronts their new myspace page.
_tags

_what
revamped website for the nashville-based band, the protomen
_how
the protomen are on the eve of the release of their new album, act 2. recruiting the powerful drawing abilities of john delucca, we created an open-ended flash website that would allow us to introduce as much exciting new content as we liked, during the build-up to the album's release.
_features
  • full-screen flash interface
  • original music by the protomen
  • original hand-drawn graphics by john delucca
  • new protomen logo
  • countdown clock
_link
theprotomen.com
_tags
home page

_what
logo for the protomen's second album, act 2
_how
the protomen's second album herald's a brand new sound, story and aesthetic. after many discussions and revisions this logo, we all agreed, captured the vibe of this the next chapter in their ongoing musical retelling of capcom's megaman saga.
_tags
act 2 logo

_what
logo for new york-based new media company, feed the walrus
_how
armed with just the company name we set about making 10-20 different logos ranging from minimal type-based ideas, through to full walrus-based character designs. this big guy was the winner on all fronts. seemed to make everyone smile and capture people's imaginations in a way that felt right for the company.
_tags
logo

_what
EP cover + poster for the LA-based band, big black delta
_how
jonathan bates, better known for his part in the fantastic band mellowdrone, recently got back in touch with us regarding a 'new thing' he was working on. as luck would have it, it was some seriously rich and rewarding new music. the kind which fills the mind with images pretty fast. well, the next thing you know we're watching the thundercats intro in total awe, debating wallpapering our apartment walls with TRON screenshots, and obsessing over UFOs. how one thing lead to another is neither here nor there, but it turns out we were all down with this new thing ... and it was taking us places.

what then ensued was the constant, rapid exchange of music for artwork, much the way a choir does their psalms and responses. there's no question in our minds now that big black delta was the only name you could use to sum up the music, what inspired it and everything we'd ultimately made together from that point forward. cut then to just a few days ago. cut right to the moment when we slung the cover you see above onto the proverbial coffee table. cut to us all looking at each other like we knew it was time. yep, ufologists were about to get some melody in their google.

additionally we shot and edited a short film to accompany the release of the song IFUCKINGLOVEYOU. it was shot over a couple of days around independence day in los angeles. the idea was simply to capture everything we got up to in the short time we had, be that searching the night sky for flashing lights, watching dan akroyd talking about UFOs on youtube or jonathan bates making strange noises on his studio floor. we hope the end result, if nothing else, makes you feel like all these things are related. not forcibly, but maybe with a little serendipity.
_link
bigblackdelta.com
_tags
EP cover
poster

_what
artwork for big black delta's debut LP, BBDLP1
_how
continuing the very fluid back and forth between us and jonathan bates, this the cover for the forthcoming BBDLP1 is our attempt at capturing the immensity that is this new record. whether you are listening to the lush love song that is 'capsize' or the vastness, heaving space trip that is 'BBD3', we wanted the cover to echo both the inner workings of jon's mind as well as the beautiful, dark recesses of the universe. no longer the man with his head exploding on the cover of mellowdrone's 'angry bear', we now step deeper inside that thinking and in doing so reach much further out into space as we get involved with his obsession with UFO folk-lore and his desire to be taken away from his planet by whatever means possible.
_link
bigblackdelta.com
_tags
cover artwork

_what
artwork for polinski's debut album, labyrinths
_how
paul wolinski is one quarter of the experimental musical machine that is 65daysofstatic. polinski is his more purely electronic side-project.

the discussions for how to handle the artwork for the album started years before the record was even a twinkle in his eye. we'd talked at length for years about films, musics, books, games and designs that appeal to us for whatever reason. whether it be the books of jeff noon or the cassette loading games of sinclair zx spectrum, there was an innate understanding of what this solo project would demand in terms of artwork the moment the demos started to come together.

the final artwork started with us coming up with a story that would capture paul's feelings about various things and how he wanted to translated those into a science fiction tale of some kind. the next step was padding that story out with various touchstone visual elements and then translating those into a series of panels that we could use for the album and any singles. the first image we put together turned out to be the album cover as it is now, and this went onto influence paul's approach to making the music. he then sent us more demos that inspired the creation of more panels, and so the back and forth went until we had enough to illustrate the story / world we had created.

the music video for the album's first single, stitches, was an attempt to bring back the feeling of using the zx spectrum computer, whilst detailing some of the album's narrative elements. more details on the making of the video to follow soon.
_link
polinskimusic.net
_tags
album cover
stitches single cover
awaltzoflight cover