the website for the feature film PAVILION went live today, and along with it my second blog article for the IFP in which i discuss the process that went into making the site. we were also fortunate enough to be asked to handle the film’s posters and the credit sequences. the article discusses this and explains why our treatment on all fronts aimed to reflect the very minimal, atmospheric nature of the film.

here’s an excerpt -

my co-worker zach referred me once to a film (portrait of jason, 1967) where a man is sitting there smoking a cigarette for pretty much the entire film. that’s it. talking about this on the way to get lunch one day we agreed that in a film like that, where that’s all that happens, the small things turn into huge events. zach then stopped, scratched his head and thought for a moment, whispering to the air in front of him, “what was it that happened in that one…”. i stopped too, waited, and then finally he said “ah yes, he ran out of gas on his lighter. huge deal!” we both laughed and then stepped inside jimmy’s, our regular lunch joint.

so to reiterate, pavilion really is one of those exact films. it’s almost fair to say that if you blink or cough, you could miss the entire ‘reveal’ at the end of it. there are tiny fragmented shards of dialogue that tell you what’s happening whilst all the while you’re watching the most detached, beautiful and mesmerizing footage of kids feeling out the moments in those long, long, useless days of our youth. in fact what i said when i came back from the bathroom after tim had screened his movie for us was ‘congratulations’. congratulations for capturing that feeling of the abstract, aimless ennui of what it was to be young, with almost no sense of responsibility at all.

you can read the rest of the article here.

once again we could not be more grateful to topspin. they have put us in touch with an eclectic range of radical artists with whom we’ve had the most exciting and rewarding relationships. the gregory brothers, better known as the auto-tune the news guys, are no exception. a month or so ago they walked into our studio and told us they needed a new website. they then hit the road and we sent them our ideas as they criss-crossed the country on the youtube tour. the trick was to combine their already burgeoning aesthetic with a number of new levels of functionality. their old site had been pretty much built entirely by them using dreamweaver and they were understandably into something that would be a little easier to update. needless to say, but the process was a breeze and often funny too.

as the project went on we of course became more and more familiar with their work. aside from the classic auto-tune videos that we’ve all seen, it was very apparent that they were a talented 4 piece band in their own right. not only are they capable of making a hilarious youtube videos but they’ve got an album’s worth of solid, self-proclaimed folk ‘n’ roll jams. hit up the music store on the new site to check some of them out. they just got back from playing bonnaroo festival and i’m sure will be announcing more tour dates soon. seriously, go. they’re fantastic people and their show is seriously unique.

gregorybrothers.com

it seems like forever ago that we were first asked to work on this. watching the campaign go live now, it’s fair to say we still can’t believe we’re responsible for it. it’s easily the most elegant, refined, high-end and sophisticated website we’ve ever put together. a long time ago we did an interview where the journalist theorized that we just needed that one project to prove what we were really capable of. never in a million years did we think jennifer lopez of all people would be giving us that chance.

in short, the concept speaks for itself and since the campaign is still running, we won’t ruin its carefully crafted mystique by going into too much detail here. however to really get a feel for it we suggest you read the campaign blog post here and play around with the small, interactive scenes we built. completing each one brings you  a step closer to the prize whilst simultaneously giving you a flavour for the overarching old hollywood, classic film noir aesthetic of love & glamour.

above all we’d like to thank all those at selectNY for being so fantastic at what they do. it’s not often you can get great ideas made. all those times you see something original, excellent and thought provoking in the mainstream media, someone will have fought very hard to make it happen. much harder than you think. selectNY believed in us and worked hard to make this happen, providing us with idealogical support and some truly excellent photography along the way.

loveandglamour.com

the new apex exposure website went live yesterday. it was a great pleasure working with josh scheiner and his team on this, fellow DUMBO residents as they are. as you’ll see from the site, they’re a digital marketing company with a wide range of great clients. drop them a line if you’re in the mood to market your wares, you’d be hard pressed to find a more personable bunch.

recently we decided to revisit one of our first websites and revamp it a bit. it’s a site that continues to attract people’s attention and represented, back then, our first truly experimental work. we were given carte blanche to make the site any way we wanted, and in our miserable, dank, little east-london bedrooms, it meant a great deal to us to finally be able to prove our worth.

that said, we believe hugely in the ‘if it ain’t broke don’t fix it’ dogma and so have made the following respectful list of subtle changes to the site that we feel were only necessary to keep it breathing and satisfying its users.

1. actionscript 3 codebase
2. xml driven content
3. h264 video
4. additional ‘water colour’ interactive ‘sketch book’
5. full screen functionality
6. UI speed increase
7. new backdrop ‘studio photos’
8. higher quality exports of ‘day’ and ‘night’ short films

we hope, if you were a fan before, that you enjoy the upgrade. for those of you who’ve never seen the site before, we hope it finds a new and satisfied audience, and of course does a handsome job of introducing you to the artist’s work.

thomasnewbolt.com

ioncinema.com, a webzine / blog website dedicated to american independent film, world cinema, documentary film and the world film festival scene, has just posted this article in praise of the HERE website. this is the site we built in collaboration with filmmaker braden king, to promote and provide information on his forthcoming feature film of the same name.

it’s also worth mentioning that the site was built using the ever more relevant ‘website-in-a-can’ setup offered for FREE over at wordpress.org. more than just a powerful piece of blogging software, it’s an extremely affordable, plug-in based solution for almost all your basic website needs these days. provided you’re happy to undertake the task of a little coding and skinning, you can build a very easy to update and maintain online platform to serve a variety of immediate needs.

worth a look.